Anthony Donovan & Jaan Patterson say: '...(life without being fantasized about is what I seek. but has yet to materialise, as I have dreamed for. mean while i am no longer in a relationship, is cosensual, ok. i was in exploitation, a helpless one. my body is otherwise perfect, if you like augmented! several alterations not necessary, if you can accept on me. i can be your friend if i you like. love, ss.) Evidently, due to an untitled usury - age-old, malformed and discontent (or the blur, the paper-fold, the diatribulation) - I have to start with a capital letter. Effort ... and all in sunlight, too. Bother to read me; bother to in-read me. I am not boo hoo, through subtle, with my sexuality destroyed at a stroke. Who will I survive this time? My actual name starts with a capital letter. I don't need your consigns and self-making. Upon my ego, I wear my boots. (That concept, that construement, that spectral conversion.) Your non-acceptance, your way of thinking, is not so much beyond them, as mommy tells. The art of seduction seems to be missing. What shame awaits? How nice it would be / music: Anthony Donovan & Jaan Patterson / text: murmurists / movie: undRess Béton...'

Murmurists, Pixyblink & Bryan Lewis Saunders say: '...Psycho Ecclesiasticus (a mystery shape) / Psycho Jerome (four facing) / Credits: Words and film by Anthony Donovan / Sound by Anthony Donovan and Pixyblink / Voices: Pixyblink & Bryan Lewis Saunders / Actors: Annie, Ed Coyle & Anthony Donovan

Noise Research says: '...Noise Research is the project of UK Sound Artist / Musician Ian Simpson. Noise Research has material released on the Electronic Musik (UK), Rift Recordings (UK), Earth Monkey Productions (UK) & Bivouac (China) labels. Cdr's currently available are The Liftshaft EP ( 3" CDr ) Split with Barbarians ( 3" CDr ) Noise Research I Noise research II Noise Research III (also known as Experiment III) Rifts compilation (2 tracks) on Rift recordings Noise Research Four (on Earth Monkey Productions) Evoluon (On A.M.P.) Classwar Karaoke Survey series. Ian has been involved in the experimental / improvised music scene for many years and has performed with / alongside (amongst others). Serfs Evan Parker Graham Dunning Acid Mothers Temple Sun Ra Arkestra Eddie Prevost Faust Bark! Pram John Russell Paul Rutherford Telescopes The A band Solar Fire trio / Duo Mark Wastell Rhodri Davis Keith Rowe Colin Potter Pascal Nichols Konk Pack The Good Anna Alexander Von Schlippenbach Mick Beck Phil Marks Lol Coxhill He has adopted an uncompromising approach in both playing and performance which has led to his involvement as a performer with ‘The Frakture Big Band’ (Liverpool), ‘Gnod’ (Manchester) & ‘Fonik’ (Warrington). He also actively organises and promotes performances in the Northwest of England including the Pyramid Experimental Music Festival and Manchester based Electronic Organica Nights. A recent comment about Noise Research Four - Such an outstanding album it really is a class piece of work – Jeff Grainger (Dandelion Radio, 2008). About Rifts – A soundtrack to while away the time to as Western civilisation inevitably continues its steadily increasing rate of decay (Heathen Harvest, 2009) Websites www.myspace.com/noiseresearch www.myspace.com/fonikfonik www.myspace.com/electronicmusiklabel...'

Ruela Pinho & Bablith Band say: '...Thou hast bedecked the sky with the robe of glittering jewels more shining than diamonds. The myriads of stars that illuminate thy sky are the glittering eyes of thy numberless angels. The sparkling stars display thy resplendent glory with Maonghah, the Queen of Night, Ahura Mazda / The names 'Maonghah' and Mah derive from an Indo-European root that is also the origin of the English language word "moon." The Zoroastrian divinity has however no Vedic equivalent. Maonghah retains the name Mah in the 9th-12th century texts of Zoroastrian tradition, and continues with that name into New Persian. In Histories 7.3.7, Herodotus states that the moon was the tutelary divinity of the Iranian expatriates residing in Asia Minor. The Amesha Spenta (the Immortal) of the Moon, was “Posessed of Water”. On making this track I was working an album drinking from a mix of oriental and north african influences. The album was first to be named Magickal Maa, both in homage to Mah (moon, Mahur = Moonlight) and to the egyptian Maat. Gabriel (the archangel of the moon) was also the archangel speaking with Muhammad. While on the process of working this album I was asked by a woman of the most haunting beauty and deepest soul (a very moonlike person) to describe her in a song, and the way I felt her to be inside of me. This was the product, as she loves the tempest as much as me. The lyre (or its imitation) reproduces a Jewish wedding song, and the track is a travel through the roads of life, under the influence of the celestial rains blurring the world and its edges with their silent anguish and serenity / Ruela & Babalith 2009...'

Bryan Lewis Saunders & Nicole Bailey say: '...[...]...'

Sound Inhaler says: '...Sound Inhaler: context / Context is a short film. It uses original footage and found images.The imagery is relevant to the whole sound inhaler aural experience not specifically to the music accompanying the film. You can read any meaning into the film that you wish and please do, but the meaning is clear to me. However in watching the film I have made other connections between film and music that I hadn’t envisaged. A good thing I think, but occasionally disturbing. This is also a good thing come to think of it. Contact sound inhaler.soundinhaler@yahoo.co.uk www.myspace.com/soundinhaler...'

Undress Beton says: '...flying cucumbers / the psychotic truth became his pants / i was worried about these things happened lately, noticed though things were late lie / when becoming the morning fever of trust that possibilities were the happening fact / - it felt sour / arisen from breathless sleep, I understood recently, I differed from the shame on air as others had mentioned to me too / i felt a bit tired from breaking my neck on bars at speed from temper beats as they were ages old, I was supposed on date / when those creatures I was terrifying had undressed to (wait in fact, as we said: ‘we can’t always say black’) over suburb the city into the no ledge of history wearing her silk handkerchief for dinner with minutes, splashing / metaphoric sparking triangles handed him some time to spend, such as science looks and empiric thoughts were none them couldn’t tell, but read as follows: (continuation through the book which needs to be read! a release from Caballé Voltage, André Pissoir)...'