Guy Sherwin studied painting at Chelsea School of Art in the 1960s. His subsequent film works, often including live elements and serial forms, are characterised by an enduring concern with light and time as the fundamentals of cinema. Recent works include multi-screen projection and gallery installations. http://www.luxonline.org.uk/artists/guy_sherwin/index.html

Since completing her MA at the Slade in 1990, Sarah Pucill has been making 16mm films that have been funded by the Arts Council, London Production Fund, Carlton TV and the AHRB. Her work has been exhibited in museums, film festivals and galleries internationally, and has won awards at Oberhausen and Atlanta festivals. Her retrospective screenings include the Tate Britain, The Lux and 291 Gallery. The photographic image has always been central to her filmmaking process. Her recent images from Stages of Mourning are included in a publication on women's photographic self portraiture (Masquerade, Iris 2004).

Welsby's work is characterised by a rigorous and experimental exploration of the relationship between natural systems inherent in the landscape, such as weather patterns and tidal flow, and the systematic methods and apparatus of filmmaking used to represent them. He has been working primarily with digital media since 1993, and is currently developing and exhibiting interactive video installations with collaborators in the fields of computational poetics and interactive audio environments, most recently dance, with the project Heaven's Breath. He lives on a small island in British Columbia and he is Professor of Fine Art Film And Video, at the School for the Contemporary Arts, Simon Fraser University, Vancouver, Canada. http://luxonline.org.uk/artists/chris_welsby/index.html

His videos and performances question notions of representation and identity, drawing on familiar cultural references in film, song and art. He has shown widely both in Britain and abroad; including East International, Norwich; Ghosting, Aspex Gallery, Portsmouth; Angel Row Gallery, Nottingham and Chapter Arts Centre, Cardiff; Espaco Bananeiras, Rio de Janeiro, Brazil and Metropolis Rise, CQL Design Center, Shanghai, China. Harold Offeh's recent curatorial projects includes The Mothership Collective for the South London Gallery. He lives and works in London and is currently an Artsadmin associate artist. http://luxonline.org.uk/artists/harold_offeh/index.html

Steve Dwoskin is a freelance designer, photographer, film director and producer since 1959. One man exhibition of paintings, drawings and film, Redmark Gallery, London 1969. Founder member London Film-makers' Co-op. http://luxonline.org.uk/artists/stephen_dwoskin/index.html

Alia Syed is an experimental filmmaker whose work has been shown extensively in cinemas and galleries nationally and internationally. Her practise as a filmmaker constitutes ongoing research, exploring the nature and role of language in intercultural communication. This involves a focus on borders and boundaries, translation and the trans-cultured self. http://luxonline.org.uk/artists/alia_syed/index.html About Alia Syed: I am an experimental filmmaker whose work has been shown extensively in cinemas and galleries nationally and internationally. My practise as a filmmaker constitutes ongoing research, exploring the nature and role of language in intercultural communication. This involves a focus on borders and boundaries, translation and the trans-cultured self.

Extract from a film by Sarah Miles, 1997. Two Japanese girls appear in the West Country in a radio transmitter field above Eggardon fort; they go to school in Lyme Regis; they sleep in the same bed; they explore the town; they make things; they read The Family ,a book about Charles Manson; they separate. Includes P.J. Harvey performing a specially composed version of the Three Degrees When will I see you again. More information at the Luxonline website: http://www.luxonline.org.uk/artists/sarah_miles/amaeru_fallout_1972_.html