The Visual Recital is a new approach to integrating visuals with live music where the musician controls the digitized visualizations directly as an enhancement of the musical performance. This is a sample clip from a recent performance at the Darlington Arts Center in Boothwyn, PA, featuring selections from Charles B. Griffin's "Vernacular Dances" with visualizations projected onto a 9' x 7' pvc pipe rear projection screen.
Added: February 13, 2007 Runtime: 07:39 Plays: 222 Comments: 1
The Visual Recital is a new approach to integrating visuals with live music where the musician controls the digitized visualizations directly as an enhancement of the musical performance. This is a sample clip from a recent performance at the Darlington Arts Center in Boothwyn, PA, featuring selections from Charles B. Griffin's "Vernacular Dances" with visualizations projected onto a 9' x 7' pvc pipe rear projection screen.
In this special first anniversary episode video, pianist Hugh Sung introduces the Tablet PC and demonstrates how it can be used to store, display, and turn pages for thousands of scores, with all the benefits of traditional paper and pencil combined with the advantages of digital computing power.
The Visual Recital is a new approach to integrating visuals with live music where the musician controls the digitized visualizations directly as an enhancement of the musical performance. John Carollo's prelude "Watery Abstractions" is featured in this Visual Recital Demo video with pianist and visual artist Hugh Sung. This video was filmed at Field Concert Hall, The Curtis Institute of Music.
A performance of "The Story of Babar" featuring the music of Francis Poulenc, the illustrations of Jean de Brunhoff, narrator Keisuke Hoashi and pianist Hugh Sung. Visuals and animations controlled by Hugh at the keyboard with a Tablet PC.
This is a clip of one of my first public Visual Recital performance pieces. A Visual Recital uses cutting edge presentation technology to add synchronized images and videos to a live music performance controlled by the musician.