Purchase this book @ www.rhythmelodic.com/store.html ~ McNally Smith College of Music Masterclass, focusing on ear and touch development, from Ch. 1, Musical Phrasing, of MASTERING THE TABLES OF TIME, by David Stanoch. Available @ www.rhythmelodic.com

Purchase this book @ www.rhythmelodic.com/store.html ~ McNally Smith College of Music Masterclass, focusing on musical phrasing with Dynamic Control Studies, from Ch. 1 of MASTERING THE TABLES OF TIME, by David Stanoch. Available @ www.rhythmelodic.com

Purchase this book @ www.rhythmelodic.com/store.html ~ Cross Referencing demonstration interpreting a single musical motive through Chapters 1, 3 & 6-8, of MASTERING THE TABLES OF TIME, by David Stanoch. Available @ www.rhythmelodic.com

Purchase this book @ www.rhythmelodic.com/store.html ~ McNally Smith College of Music Masterclass, demonstrating musical phrasing with Accent Studies and interpretation ideas for orchestration around the drumset, from Ch. 1 of MASTERING THE TABLES OF TIME, by David Stanoch. Available @ www.rhythmelodic.com

Purchase this book @ www.rhythmelodic.com/store.html ~ McNally Smith College of Music Masterclass, demonstrating 3:2 & 4:3 Polyrhythms, from Ch.5, and their application to Contemporary Backbeat Ostinatos from Ch. 6 of MASTERING THE TABLES OF TIME, by David Stanoch. Available @ www.rhythmelodic.com

Purchase this book @ www.rhythmelodic.com/store.html ~ Cross Referencing demonstration of Single Paradiddle interpretation from Chapters 3 & 6-8, of MASTERING THE TABLES OF TIME, by David Stanoch. Available @ www.rhythmelodic.com

Purchase this book @ www.rhythmelodic.com/store.html ~ Melodic Triplets Demonstration from Chapter 8: Soloing Applications, MASTERING THE TABLES OF TIME, VOL I, by David Stanoch. Available @ www.rhythmelodic.com

Singer, Songwriter, Guitarist Katy Tessman, with Drummer David Stanoch, in a duo performance TV Spot performing the title track from her 2000 debut CD "Fall."

McNally Smith student Andrew asked me to play a short solo to test his new mp3 camcorder. So, I improvised a bit of my concept of "rhythmelodics," employing structure & form with themes, contrast, sequencing and a bit of melodic & harmonic coordination using a 3:2 polyrhythm ostinato at the drumset - also stressing that making music should be fun - all in a quick minute thirty!