Una tarde en Don Loope Wine Club. Degustacion de vinos franceses, charlas de música ochentera, sintetizadores y mås.

Live at MUTEK 10

TIJUANA SOUND MACHINE After a decade of having created the sound that defines the border, The Nortec collective evolves. From this metamorphosis, appears the current production that is Tijuana Sound Machine which include Bostich+Fussible. When Nortec fused electronica with the popular sounds of northern Mexico, it created that unique sound that has become emblematic not only of the border, but of an entire generation. In Tijuana Sound Machine, Nortec, via the experimentation with new technology and the consolidation of a rhythm, again, reestablishes the well know sounds of Bostich+Fussible. Tijuana Sound Machine, more than a new album, creates a new city, fully created by this pure sounds. Text by Heriberto Yépez

Tocada de Tijuana Sound Machine en Mx Beat 2009, un set compuesto de Bajosexto, Tuba, 2 Trompetas, Visuales y la parte electronica con los Tenori-on. video por Mel Gore Después de una década de haber creado el sonido que definió a la frontera, el colectivo Nortec muta. De esta metamorfosis aparece hoy la producción Tijuana Sound Machine, de Bostich y Fussible. Si Nortec fusionó la electrónica con la música popular del norte mexicano, para conseguir un sonido único, que ya se convirtió en emblema musical no sólo de la frontera y de una generación entera. En Tijuana Sound Machine, Nortec da una vuelta más mediante la experimentación con nuevas tecnologías, la consolidación de un ritmo y la densidad emocional característica de Fussible y Bostich. Tijuana Sound Machine más que un nuevo album es una nueva urbe. Una ciudad hecha de puros sonidos. texto pot: Heriberto Yépez http://www.myspace.com/tijuanasoundma... From the Los Angeles Times THE COACHELLA FESTIVAL Latino pop-rock is the best of many worlds The music melds South and Central American traits with ongoing European trends. By Reed Johnson and Deborah Bonello Twenty years ago, punk-rock, ska and hip-hop were the main genres that shaped the sound of emerging Latin American bands. Today, electronica is filling that role. And, as was the case with punk and ska, the more risk-taking Latin bands are tweaking and customizing electronica to suit their cultural and aesthetic objectives, rather than merely imitating existing U.S. and European electronica outfits. The results of those experiments can be heard in the work of groups such as Mexican Institute of Sound and Zizek Club, an Argentine collective that also will perform at Coachella, as well as through the ongoing efforts of more established ensembles such as Tijuana-based Nortec Collective. Last year Nortec's brain trust, the artists known as Bostich and Fussible (Ramon Amezcua and Pepe Mogt), released what might be the group's most accomplished disc to date, "Nortec Collective Presents: Bostich + Fussible/Tijuana Sound Machine." While the record keeps faith with Nortec's trademark mix of computer-generated electronica and traditional Mexican norteño, it also incorporates more live musicians playing clarinet, accordion and the bajo sexto traditional 12-string guitar.

Nortec Collective Presents: Bostich+Fussible "Making the TSM" We are finishing our machine made of Analog Sequencers, Drum Machines and Synths, we will perform on may 29th at Mutek 2009 in Montreal, Canada. See you there!!! http://www.myspace.com/tijuanasoundmachine