The perfect choice for big, wide rock tones. But it's also extremely versatile. The bridge pickup is slightly hotter than a vintage PAF, and the neck pickup slightly cleaner. And thanks to our Bass Contour (featured on all Reverend guitars) and Wilkinson tremolo, you have a guitar that easily covers a wide range of tones and styles. The solid korina body guarantees a resonant, light, and lively instrument that responds to the player's touch. Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

This roots/rockabilly bad boy delivers the spank and acoustic richness only a full size semi-hollow can deliver, but with extra clarity and percussive qualites courtesy of the 25-1/2" scale maple neck. The bridge pickup is slightly hotter then the neck pickup for balanced tone. And we wound RevTrons about 5% hotter overall than the originals, so it's also a great blues and rock guitar. Solid wood construction is featured throughout, with no veneer or plywood. The back, sides and center block are produced from one slab of korina which is routed from the top, and then capped with a solid spruce top. Excellent sustain and attack are coupled with substantial resonance, for a uniquely big and responsive tone. Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

This blues/rock bad boy delivers the spank and acoustic richness only a full size semi-hollow can deliver, but with extra clarity and percussive qualites courtesy of the 25-1/2" scale maple neck. The bridge pickup is slightly hotter than a vintage PAF, and the neck pickup slightly cleaner. Bashing power chords or comping jazz, the versatile humbuckers keep it round, warm and woody. Solid wood construction is featured throughout, with no veneer or plywood. The back, sides and center block are produced from one slab of korina which is routed from the top, and then capped with a solid spruce top. Excellent sustain and attack are coupled with substantial resonance, for a uniquely big and responsive tone. Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

This blues/rock bad boy delivers the spank and acoustic richness only a full size semi-hollow can deliver, but with extra clarity and percussive qualites courtesy of the 25-1/2" scale maple neck. The bridge pickup is slightly hotter than a traditional soapbar, and the neck pickup slightly cleaner. P-90's add just the right amount of raw edge to the rich and woody tones. Solid wood construction is featured throughout, with no veneer or plywood. The back, sides and center block are produced from one slab of korina which is routed from the top, and then capped with a solid spruce top. Excellent sustain and attack are coupled with substantial resonance, for a uniquely big and responsive tone. Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

Warm and sweet, with the acoustic richness and complex overtones only a full size semi-hollow can deliver. The bridge pickup is slightly hotter than a vintage soapbar, and the neck pickup slightly cleaner. Round enough for jazz, but this ray can sting too, with plenty of sustain and attack for rock and blues! P-90's add a raw upper-mid edge and percussive attack to the recipe. The 1-3/4" thick body and flat top gives it a clean, fresh look, and yields a slim and manageable body. Solid wood construction is featured throughout, with no plywood. The back, sides and center block are produced from one slab of korina which is routed from the top, and then capped with a solid maple flat top (with flame maple veneer on the FM model). Excellent sustain and attack are coupled with substantial resonance, for a uniquely big and responsive tone. Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

Our take on what a classic double-cutaway should be. Full thickness body, and the correct amount of wood where the neck meets the body. The bridge pickup is slightly hotter than a vintage PAF, and the neck pickup slightly cleaner. All the rawness, midrange presence, and upper-fret access you'd expect, but more versatility, a stable neck joint and it's not neck heavy! Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

The Buckshot is perfect for the player who wants the T-style tone, but thicker and more versatile. The bridge pickup is our custom T-style single-coil that delivers classic upper-mid honk and bite but with more body. The neck pickup is our Revtron mini-humbucker, carefully repositioned slightly further from the neck to better match the bridge pickup's tone and output, and increase percussive qualities... full, warm tone but leaner than a full-size humbucker. And if you want the traditional T-style tone, just roll back the Bass Contour control and both pickups become brighter! The solid korina body guarantees a resonant, light, and lively instrument that responds to the player's touch. Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

Style and danger rolled into one badass rockin' machine! The tone is big, beefy, wide and punchy but still retains clarity. The bridge pickup is slightly hotter than a vintage PAF, and the neck pickup slightly cleaner. Finally, an offset V with the vintage vibe and versatility demanded by today's players. This guitar features resonant korina and solidbody construction with a raised center section on the front. The thicker center mass improves clarity and sustain, while the thinner wings increase resonance for an instrument that is lively, clear and rich in harmonics. Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

Our take on what a classic double-cutaway should be. Full thickness body, and the correct amount of wood where the neck meets the body. The bridge pickup is slightly hotter than a vintage soapbar, and the neck pickup slightly cleaner. All the rawness, upper-mid bite, and upper-fret access you'd expect, but more versatility and a stable neck joint! All the rawness, midrange presence, and upper-fret access you'd expect, but more versatility, a stable neck joint and it's not neck heavy! Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

Hailing from NYC, Gil is shaking up the guitar world with his killer chops and unique style that cohesively fuses jazz, funk, rock and country. He's former lead guitarist with Blood, Sweat and Tears, and has worked with David Sanborn, Will Lee, Dr. John, Chuck Rainey, and many others. Gil is currently focusing on his solo career, with his new cd "Strength", and instructional dvd "NYC Rhythm and Blues". See gilparris.com. Gil's requirements were straightforward: build a unique looking, extremely versatile guitar that is gig-ready right out of the box, and sells for under $600. We went with two Reverend humbuckers, and a Lace Sensor Burgundy single-coil in the middle. The humless Lace Sensor matches perfectly with the humbuckers, and combined with the 5-way pickup selector and Bass Contour control adds up to a wide ranging guitar that'll seamlessly take your tone from NYC to LA to Nashville! The solid korina body guarantees a resonant, light, and lively instrument that responds to the player's touch. Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

Imagine an "S" style guitar on steroids... those classic tones but bigger. The bridge pickup is slightly hotter than a traditional soapbar, and the middle & neck pickups are slightly cleaner. Positions 2 and 4 on the pickup selector deliver classic "quack" but with a thicker tonality. Delivers big, open cleans and smooth but clear distorted tones. The solid korina body guarantees a resonant, light, and lively instrument that responds to the player's touch. Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

Warm and sweet, with the acoustic richness and complex overtones only a full size semi-hollow can deliver. The bridge pickup is slightly hotter than a vintage PAF, and the neck pickup slightly cleaner. Round enough for jazz, but this ray can sting too, with plenty of sustain and attack for rock and blues! The 1-3/4" thick body and flat top gives it a clean, fresh look, and yields a slim and manageable body. Solid wood construction is featured throughout, with no plywood. The back, sides and center block are produced from one slab of korina which is routed from the top, and then capped with a solid maple flat top (with flame maple veneer on the FM model). Excellent sustain and attack are coupled with substantial resonance, for a uniquely big and responsive tone. Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

Warm and sweet, with the acoustic richness and complex overtones only a full size semi-hollow can deliver. The bridge pickup is slightly hotter than a vintage soapbar, and the neck pickup slightly cleaner. Round enough for jazz, but this ray can sting too, with plenty of sustain and attack for rock and blues! P-90's add a raw upper-mid edge and percussive attack to the recipe. The 1-3/4" thick body and flat top gives it a clean, fresh look, and yields a slim and manageable body. Solid wood construction is featured throughout, with no plywood. The back, sides and center block are produced from one slab of korina which is routed from the top, and then capped with a solid maple flat top (with flame maple veneer on the FM model). Excellent sustain and attack are coupled with substantial resonance, for a uniquely big and responsive tone. Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

Les weight, all the tone! By tweaking the electronics and paying carefull attention to the maple-to-mahogany ratio, we've captured the classic single-cutaway tone in a thinner, lighter guitar. The bridge pickup is slightly hotter than a vintage PAF, and the neck pickup slightly cleaner. All the smooth yet focused midrange, and round but clear treble you'd expect, plus more versatility without the back-breaking weight. This guitar features a flame maple veneer laminated to a solid maple flat top. The solidbody construction uses resonant korina for an instrument that is lively, clear and rich in harmonics. Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

Raw, cutting rock tones to warmed up funk. The bridge pickup is slightly hotter than a traditional soapbar, and the middle & neck pickups are slightly cleaner. The P-90 bite you'd expect, plus positions 2 and 4 on the 5-way pickup selector deliver classic "quack" but with a thicker tonality and midrange presence. A bird for all seasons. This guitar features resonant korina and solidbody construction with a raised center section on the front. The thicker center mass improves clarity and sustain, while the thinner wings increase resonance for an instrument that is lively, clear and rich in harmonics. Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

Although the weapon of choice for cutting rock tones, this is no one-trick pony. The bridge pickup is slightly hotter than a vintage PAF, and the neck pickup slightly cleaner. Easily covers clean to mean, with a focused midrange and defined treble overtones that will cut through any band. This guitar features resonant korina and solidbody construction with a raised center section on the front. The thicker center mass improves clarity and sustain, while the thinner wings increase resonance for an instrument that is lively, clear and rich in harmonics. Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

Clean and warm with a thick twang. This guitar combines the distinctive upper-mid growl of the Rockabilly era with the sustain and attack of a solidbody. The bridge pickup is slightly hotter then the neck pickup for balanced tone. And we wound RevTrons about 5% hotter overall than the originals, so it's also a great blues and rock guitar. The solid korina body guarantees a resonant, light, and lively instrument that responds to the player's touch. Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).

DISCONTINUED The classic recipe: two P-90's loaded in a single-cutaway mahogany body, it doesn't get any better. But wait, it does! Classy binding. Bass Contour control.The bridge pickup is slightly hotter than a vintage soapbar, and the neck pickup slightly cleaner. Thick midrange squawk with raw treble attack, plus more versatility. Special indeed! This guitar features resonant korina and solidbody construction for an instrument that is lively, clear and rich in harmonics. Gear used for this recording: Reverend 112 Hellhound amp on US setting, MI Audio Crunch Box for the overdrive parts, close-miced with a Shure SM58 microphone, Audacity recording software. Playing courtesy of Jason Van Doorn (former touring guitarist with Shannon Curfman Band).