In France, Soo-yeon erases her Korean origin to be Julie, a journalist in search of simplicity. Pierre, a forgotten encounter, sends to her images from Korea : they recall Julie her life without love, and bring back Soo-yeon’s romantic feelings. DISAPPEARING was a never-ending improvisation. It started when I was in South Korea with a DV camera, almost each day a new screenplay came to my mind based on what I was filming. When I came back in Paris, I began to edit this, I gathered some other images to make a link and tried to tell a fiction with a material not aimed to be “fictional”. Some key images had a truly “mood” and the editing could make them tell something else. My envy at that time was to tell a love story, and love has a lot to do with the term “disappearing”. Can love make you feel you have “disappeared”? Can you love much something you can’t reach than something you touch? I didn’t expect that the title would sum up exactly real events during the process of the film. The mixing “disappeared” in the depth of a mysterious Mac, the production company which helped the film “disappeared” without having produced any film at the end and the person who inspired most of the film “disappeared” suddenly of my life. I thought: this is logical after all. Let’s forget what is gone and see what we can be done with what’s left...