In „Dusk” we see a lone female figure emerging from the distance approached by a male holding a camera. The interaction of the two is presented in split-screen so the viewer is able to watch from a distanced, static wieving point and a gradually shifting camera point, attached to the body of the male. As the filmmaker is fully engaged in the camerawork he follows the choreography. From the fixed point of view he becomes part of the content of the film while he doesn’t stop functioning as a filmmaker.